Electrical body.

Existential psychology.

Archetypal symbols in artists and schizophrenics.
- Jungian collective consciousness
Dream Analysis (not Freud)
How language use affects behavior.
Altered states of consciousness
-role of drugs in creativity
-role of drugs in self-actualization
-role of the drug experience in young adult socialization
-Bridges between the positive effects of psychotropics and same effects sans drugs
Desire for fear and fright.
Attention.
Religious ecstacy
-evangelism
-suggestion, belief and change
-visions, auditory hallucinations in integrated personalities
Religious belief, faith and loss of faith.
Religion and psychology
-"treatment": therapy v ministering
(science) (faith)
-God as universal archetype
Intuition in scientists v artists.
Non-equilibrium thermodynamics and human relationship systems
and creativity
and schizophrenic persons
Bingo.
Booze.
Three-ring binder.
Dark underground spaces.
Fwap.
flies. kill them.

There is a scale on which psychological difficulties fall according to their cause and the subject's external/environmental state

THE POORER YOUR ENVIRONMENTAL WELL-BEING, THE MORE EXTERNALIZED THE CAUSES OF YOUR EMOTIONAL DIFFICULTIES.

THE WEALTHIER YOUR ENVIRONMENT, THE MORE INTERNALIZED THE CAUSES OF YOUR EMOTIONAL DISTRESS.

Therapy should be more social-oriented for the poor, more introspective for the wealthy. As environmental well-being improves, the ratio of external to internal neuroses increases. A person's environmental well-being should be a decisive factor in the onset of therapy. As more external difficulties are overcome or accepted, more internal conflicts will arise and then be treated with a combination of psychotropics fun frenetic bung forger in time for leading scrimshaw wobbly legs. Effort teeth gone swanky with rips and checkpoints inside. Count conchs on the frozen sand. He made it mate it & he came to make it make time in other ever unsayable ouches, um um um TWEE. Sketchy at best, you tell me:

What is this?

Words a mm from the electric third rail...................................................................................


Copyright Bill Nathan, 2000